Juggling — it is not just throwing balls, after all. It is a representation of your inner world. If you are clenched, then you will throw clenched, boring. If you are open — you will try more new things, juggle wider and higher. Juggling — it is everywhere. You yourself just now switched the voice recorder and did not even think about it, pressed the button and that is all. But you could have done it in different ways, from below, from the side, somehow else — this is already juggling. Or now you are holding a blade of grass, twisting it in your hands automatically, but you could twist it differently. Pass it from hand to hand in different ways, or to one of us. This will also already be juggling. quote from a 2014 interview, Moscow, author Denis Pogrebnoy
If this is unfolded to the limit of precision, then juggling is a continuous presence of a state without holding, where control arises not through grip, but through attention, time and the choice of the moment, and therefore any shift of attention instantly appears in the form of movement, in height, in width, in the very fact — whether the action happens or falls apart.
That is exactly why in complex systems, where there are more variants than can be held by hands, attention becomes the only instrument of control: not for acceleration, but so as not to lose intention, because otherwise movement turns into automatism, and automatism — into loss of focus, where it is no longer you leading, but you being led, which can also be used as an artistic device, under the condition of conscious movement and intention.
Why am I here?